Voluntourism Self-Interest or Altruism - 1973 Words

Volunteer Tourism: Self-Interest or Altruism? Abstract The idea to traveling, of seeing new places, cultures, and hearing new languages has fascinated humanity for centuries. Today, one can travel physically, just about any place in the world, or electronically. The ease with which society has created technological linkages between incredibly disparate cultures and people is something at which one can truly marvel, and something quite successful, the result of which has been to unify the world, in a metaphorical, highly technological way. Yet tourism is still in vogue. Undoubtedly, many travel for fun, on business, or voluntarily. While one may understand the previous two concepts fully, one must wonder at the third. This paper will talk about volunteer tourism, thus, to better understand it, as well as to better explain it and examine whether it is done in the promotion of self-interest or simply through altruistic ideals. Introduction Definition of Voluntourism In order to be able to speak about volunteer tourism one must first understand what it means. This concept goes by many different names, one of the most common of which is voluntourism. In essence, what this type of tourism implies is that an individual could travel some place, at a discounted rate, in exchange for some sort of favor, volunteer capacity, etc. and in this way, one could theoretically afford to go wherever he or she wishes, as well as help that community in some way. The formal definitionShow MoreRelatedvolunteer tourism Essay9739 Words   |  39 Pages 2004). The research generally accepted that the volunteer tourist sought altruistic experiences that were different from the mass tourist. Furthermore, the research identified a number of positive motivations for volunteer tourism, including altruism, self-development, giving back to the host community, participating in community development, and cultural understanding (Brown, 2005;Brown Morrison, 2003;Callanan Thomas , 2005;Coghlan, 2008;McIntosh Zahra, 2007;Stoddart Rogerson, 2004; Wearing

The Importance of Labeling of Goods and Products Free Essays

In the grocery store anyone can find a plethora of goods that have the potential to improve human life in the simplest ways. Goods such as a Snickers bar, which can provide a little relaxation from an insane day at the job, or a gallon of milk, so that the kids can have something to drink with the nutritious breakfast that was also bought at the grocery store. Yet one aisle in this great place of choices destroys the relaxing candy bar or the weekly gallon of milk. We will write a custom essay sample on The Importance of Labeling of Goods and Products or any similar topic only for you Order Now This aisle is heavily perfumed and can not be avoided because it is placed smack-dab in the middle of the store. This aisle is the chemical aisle. It contains things from Mr. Clean, which cleans up the spilled milk that dried on the linoleum floor, to Raid which is supposed to get rid of flies at the next family bar-b-que. Even though life in general would be easier and more enjoyable without insects that can be bothersome, it is not necessary to pollute the air, ground, food, and liquids that are used daily by the inhabitants of the planet Earth, nor is it necessary to give misleading information about the products being used to boost sales and get a higher profit. The government should make stricter laws on the labeling of goods that contain chemicals which could be potentially hazardous to one’s health. First, â€Å"corporations are trying to mislead consumers into believing household pesticides are harmless,† according to Marion Moses, M. D. of the Pesticide Education Center in San Francisco (â€Å"Latest Organic†). Raid, a product produced by S. C. Johnson Corporation, which is used to kill roaches, ants, and flies, has inscribed on the side of its container â€Å"Made with pyrethrins: pyrethrin insecticide is made from flowers† (18). That fact is very reassuring in its own way, but what is not mentioned on the label is that only eight-tenths of one percent of Pyrethrin is actually used in the production of Raid (18), and that the most active ingredient is Dursban which can cause numbness, tingling sensations, incoordination, headache, dizziness, tremor, nausea, just to name a few(Extoxnet). Also, over ninety-eight percent of Raids ingredients are inert, which do not have to be named on the label (â€Å"Latest Organic†). The government must stop companies from being able to hide ingredients used in their products and should be forced to tell the general public what is being used in the products. It is interesting to know that some of the most dangerous chemicals are not labeled, and, if they are, Dursban for example, they are labeled as something that does not pose any sort of danger. Yet even if the chemicals are labeled, and all of the amounts are placed on the back of the product so that the consumer can see what is used in the item, who is going to go home and look the chemicals up in places like the Extoxnet site or in the encyclopedia to see if the chemical will hurt them. But still, those problems can be solved easily if the companies would just sit down and consider what is being done to the public and what should be done to solve the problem. Fruits and vegetables are another problem all of there own though. It would be scary to see a label rite on the skin of an apple or a leaf of lettus. A list, that could be easily accessible, should be made up that states all of the chemicals sprayed on fruit. This way the dangers of chemicals such as Fonofos, which is primarily used on corn crops(Extoxnet), would be available and people would be aware of the potential hazards that come with the chemicals used in their products. Labeling or letting the general public know what is being used on apples to keep worms off them should be enforced by the government. It would be a relatively easy process since the companies already know what chemicals are being used on their products. But as long as Corporate America still feels the need to hide every little thing from the public, the public is doomed to walk up and down the aisles of the supermarket so that they can find one can of insecticide that might be able to kill the flies which are flying around the potato salad. How to cite The Importance of Labeling of Goods and Products, Papers

On Modernism and Carl Sandburg’s Poetry Essay Sample free essay sample

The period of modernist literature started in the 19th century as a consequence of assorted events. The oncoming of the two World Wars every bit good as the rise of many philosophical and psychological thoughts and instructions all filtered into the manner literature is viewed. The influences of Friedrich Nietzsche’s â€Å"God is dead† creed. Sigmund Freud’s position of the unconscious as a beginning of significance. and Karl Marx’s impression that the consciousness is predetermined by socio-historical factors all contributed to the new manner of authorship and looking at literature ( Leitch. 14-20 ) . Some of the features of modernist literature are atomization and discontinuity. complex linguistic communication with much allusiveness and sarcasm. experimentation of signifier. and anti-realism and concentrate on the person. This paper aims to read some of Carl Sandburg’s poems—â€Å"Chicago. † â€Å"The Harbor. † â€Å"Fog. â €  â€Å"Cool Tombs. † and â€Å"Grass†Ã¢â‚¬â€in the visible radiation of modernism. It besides intends to construe and elaborate on the above properties of modern literature in Sandburg’s poesy. We will write a custom essay sample on On Modernism and Carl Sandburg’s Poetry Essay Sample or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page After much slaughter and desolation brought by the two World Wars. the people are left feeling misplaced and disoriented in the society. which they thought before to be a secure and stable 1. This supplanting felt by the people is mirrored in the plants of literature produced during this clip. Modernist literature is â€Å"marked by a interruption with the sequential. developmental. cause-and-effect presentation of the ‘reality’ of realist fiction toward a presentation of experience as layered. allusive. discontinuous† ( Lye. n. p. ) . The sudden displacement of the people reality—from stableness to uncertainty—after the wars is represented by a literature full of discontinuity. displacements. and sheathings. In Sandburg’s poesy. this discontinuity can be seen through his apposition of two contrasting images. In â€Å"The Harbor. † he juxtaposed the image of â€Å"women [ with ] hunger-deep eyes / Haunted with shadows of hunger-hands† in â€Å"huddled and ugly walls† with that of â€Å"Masses of great grey wings / And winging white abdomens / Veering and wheeling free in the open† ( Sandburg. n. p. ) . The former image is that of imprisonment—imprisonment both physically. within the restraints of the â€Å"huddled and ugly walls. † and metaphysically. within the appreciation of hungriness and agony. The latter image. on the other manus. symbolizes freedom like those of a â€Å"fluttering storm of chumps. † The conditions of both groups are even more highlighted as they are placed side by side with each other. Tightening of signifier is besides a characteristic of modernism. â€Å"An accent on coherence. interrelation and deepness in the construction of the aesthetic object and of experience. † tightening of signifier is shown through motive. important analogues ; different voices ; every bit good as displacements and sheathings in clip. topographic point. and position ( Lye. n. p. ) . An illustration of important correspondence in Sandburg’s poesy can be found in the verse form â€Å"Fog. † where the fog is compared to a cat that â€Å"comes / on small cat pess / It sits looking / over the seaport and city† ( Sandburg. n. p. ) . Both can travel softly. go throughing through everything in silence. before traveling to another topographic point. Tightening of signifier can besides be illustrated in the motive that the poet or the writer uses in his work. Motif is a repeating object. construct. or construction in a work of literature ( Oxford ) . Motifs are of import because it emphasizes the point and subjects that the writer wants to portray in his work ; this enables the reader to do an accurate reading of the author’s work. The image of cool grave is a motive that is present in Sandburg’s â€Å"Cool Tombs. † Here. he once more uses apposition with the images of Abraham Lincoln. Ulysses Grant. Pocahontas. â€Å"people purchasing apparels and food markets. heartening a hero or throwing confetti and blowing Sn horns. † â€Å"lovers. † and â€Å"losers† ( Sandburg. n. p. ) . These people. in malice of their differences in stature and background. all portion the same thing—all of them will return to dust â€Å"in the cool tombs† ( Sandburg. n. p. ) . The poet wanted to st ress the equality that comes with decease. Peoples. regardless of who they are and what they do. will all have the same terminal: decease. Death is merely one of the most common subjects that are present in modern literature. Partially due to the aftereffects of wars. decease became a major subject of many modern pieces of literature. Death is besides accompanied by other subjects such as â€Å"the hunt for land of significance in a universe without God [ and ] the loss of significance and hope in the modern universe and an geographic expedition of how this loss may be faced† ( Lye. n. p. ) . This loss of hope can be seen in the verse form â€Å"Chicago. † The poem’s character became face to face with decease and hungriness in the â€Å"City of the Big Shoulders: † as depicted in the lines â€Å"I have seen the gunslinger putting to death and travel free to kill again† and â€Å"On the faces of adult females and kids I have seen the Markss of wanton hungriness. † However. toward the terminal of the verse form. a declaration can be seen as depicted in the lines â€Å"Bareheaded. / Shoveling. / Wrecking. / Planning. / Building. breakage. reconstructing. † ( Sandburg. n. p. ) . The loss of hope nowadays in the beginning of the verse form is met with a promise of something better. While decease and the loss of hope are confronted in the verse form â€Å"Chicago. † they were tried to be concealed in the verse form â€Å"Grass. † The grass in this verse form served to conceal the organic structures murdered in the conflicts in Gettysburg and Waterloo. in Austerlitz. Ypres. and Verdun. While the first verse form tried to happen a declaration for the job. the 2nd 1 showed a more inactive action—covering up decease as if by making so it can be forgotten. as if it did non go on. The â€Å"grass† wanted to make its work of concealing decease. these hemorrhoids of organic structures. until â€Å"Two old ages. ten old ages. and riders [ would ] inquire the music director: / What topographic point is this? / Where are we now? ’ ( Sandburg. n. p. ) . Modern literature. specifically modern poesy. is complex. covering with assorted issues of the person within a surroundings of a tattered society ; something that Carl Sandburg was able to represent in his plants. Plants Cited: Leitch. Vincent. et. Al. explosive detection systems.The Norton Anthology of Theory and Criticism.New York: W. W. Norton A ; Company. 2001. Lye. John. â€Å"Some Attributes of Modernist Literature. † 29 September 1997. Brock University. 16 November 2007 lt ; hypertext transfer protocol: //www. brocku. ca/english/courses/2F55/modernism. hypertext markup language gt ; . Sandburg. Carl.Chicago Poems. August 1999. Bartleby. com. 16 November 2007 lt ; hypertext transfer protocol: //www. bartleby. com/165/ gt ; . Sandburg. Carl.Cornhuskers. July 1999. Bartleby. com. 16 November 2007 lt ; hypertext transfer protocol: //www. bartleby. com/134/ gt ; . A Handbook to Literature.The Concise Oxford Dictionary of Literary Footings